I’m Alex Kaplan, a wedding photographer and videographer based in New Milford, NJ, serving Northern NJ, NYC, and the Hudson Valley. For over 30 years, I’ve helped couples enjoy their day without feeling rushed, while I quietly capture the real moments, natural portraits, and genuine emotions you’ll still love decades from now.
I photographed Antonio and Nadjah’s Abington Art Center wedding on August 8, 2026, in Jenkintown, Pennsylvania. My coverage ran from ten in the morning until quarter to two, with their ceremony at noon and their portraits finished on the property before they continued the celebration in Huntingdon Valley.
What makes this venue worth writing about is the range inside one property. Historic Alverthorpe Manor, indoor galleries, a covered pavilion, gardens, and sculpture park grounds give you several visual directions without building travel into the portrait part of the day.
I have photographed weddings for more than 30 years, and I pay as much attention to how a venue affects the pace of a timeline as to how it looks in one photograph. You can see more of that work in my wedding photography portfolio.
Antonio and Nadjah chose Abington Art Center for their ceremony and their wedding portraits. Their reception was scheduled separately at La Voglia Mediterranean in Huntingdon Valley, so my coverage stayed with the part of the day that happened in Jenkintown.
I arrived at ten, two hours before the noon ceremony. Two hours is not luxury on a wedding day. It is the difference between getting ready photographs made in good window light and a morning spent catching up with a schedule.
Before the ceremony the two of them stood facing each other in one of the manor rooms, each holding something written. I photographed it from across the room.

Their ceremony began at noon under the covered pavilion, with guests seated close on both sides and the grounds open and green past the edge of the structure.
Standing near the edge of the pavilion just before noon, I watched Antonio look down at his notes once, take a slow breath, and look up to see Nadjah walking down the aisle toward him. The sound of the wind through the mature trees along the perimeter simply dropped away as the ceremony started.
Rings, vows, a first kiss, and then the walk back out. From there we moved indoors for family portraits and then out into the gardens, and they were on their way to Huntingdon Valley by quarter to two.


Abington Art Center in Jenkintown, PA offers couples a distinctive combination of historic architecture, indoor galleries, gardens and expansive outdoor grounds. For wedding photography, the variety of indoor and outdoor settings makes it possible to create different portrait looks without traveling to a separate photo location.
That variety is the practical advantage, and it shows up in your timeline rather than in a brochure. Every location change on a wedding day costs you time you would rather spend on photographs.
The venue’s own rental information lists 27 acres, a Sculpture Park and Nature Trail, indoor galleries, a covered pavilion, and two private manor dressing suites. That combination is what makes it a strong garden wedding venue near Philadelphia for couples who want architecture and greenery in the same place.

The useful venue page is not the one that lists every amenity. It is the one that helps you picture how a property turns into photographs.
For Abington Art Center wedding photography, the answer is contrast. The manor and the galleries bring architecture and interior texture, while the grounds bring open space, greenery, pathways, and the sculpture park.
Those are genuinely different looks, not the same look from two angles.
Abington Art Center describes the property as 27 acres with indoor galleries, a covered pavilion, a Sculpture Park, a Nature Trail, and two private dressing suites. That official description lines up with why the venue works photographically: more than one kind of environment, none of it requiring a drive.
Alverthorpe Manor gives an Alverthorpe Manor wedding a visual anchor that is nothing like the gardens. Antonio and Nadjah’s family portraits, an interior couple portrait, and a staircase frame all came from inside the building, so the architecture is part of their actual gallery rather than a line on a venue page.
Indoor options also matter when the weather turns. I do not treat interiors as a downgrade. I look for clean light, useful lines, and enough room to direct people without the photograph starting to feel staged.

Outside, the photographs open up. Their outdoor frames cover the manor facade, open lawn, a floral arch, a hedge path, and walking portraits, which gives the gallery several backgrounds while keeping every one of them tied to the same property.
That balance is what I look for in a wedding venue in Jenkintown PA or anywhere else. Enough variation that the gallery does not repeat itself, not so much movement that portrait time turns into a tour.

Antonio and Nadjah moved through several environments without a second portrait destination. That is the strongest practical argument for this venue, and it is why the article is built around the property as well as the wedding.
We did family portraits indoors, while everyone was still gathered in one place. Family photographs go faster when nobody has wandered outside yet, and the interior keeps the group frames visually separate from the couple portraits that follow.

Then we went outside. For couple portraits I mix wide environmental frames with closer ones.
A wide frame shows where you were married. A tight frame drops the venue away entirely and lets expression and posture carry the photograph.
I convert a handful of frames to black and white where the color is doing nothing for the photograph. Used that way it supports the image. Used as a house style it becomes a filter.



A smaller ceremony changes what I can put inside a single frame. When guests are physically close to the couple, a wide photograph holds the ceremony and the people watching it at the same time. At a much larger wedding those faces are forty feet back and effectively gone.
The pavilion helps because the ceremony stays connected to the grounds. Guests are seated close, the couple is at the front, and greenery reads through past the edge of the structure, so the setting still looks like Abington Art Center rather than a room that could be anywhere.
I stayed at the back and to the side. A short aisle means you can cover the whole ceremony without ever standing where anyone would notice you.

That is the whole idea behind my approach to wedding ceremony photography: cover the structure of the ceremony and the reactions around it without becoming part of the event.

Three things carry most of the weight here: protect your portrait time, use the indoor settings as well as the outdoor ones, and decide before the wedding which photographs matter most to you.
If family portraits are a priority, keep everyone together for those first, before the two of you move farther into the grounds. After that the manor, the staircase, the garden paths, the lawn, and the stone exterior give you several looks without adding a destination.
Tell your photographer whether you want more environmental frames, more close natural ones, or a mix. That conversation takes ten minutes on the phone. Having it while guests are waiting costs you an hour.
A noon ceremony means portrait planning has to account for the time of day rather than hope for good light. At midday I look for open shade, covered ground, and angles that keep faces comfortable instead of pushing every portrait onto the brightest part of the lawn.
Build a small buffer into the timeline as well. If the morning runs long, the buffer absorbs it instead of your portraits doing it. My wedding photography timeline guide covers how to build that in without making the day feel overplanned.

Yes, and Antonio and Nadjah are a working example. Their ceremony and all of their portraits happened at Abington Art Center, and their reception was scheduled afterward at La Voglia Mediterranean in Huntingdon Valley.
For photography the decision that matters is where your core portraits happen. Finishing the family and couple photographs at the ceremony venue takes pressure off the second location, which then does not have to offer the same portrait opportunities.
If you are planning two venues, build the travel period into the timeline rather than treating it as invisible. Traffic, parking, loading, and how many people have to move all change it, and I would rather protect a realistic transition than promise a travel time.
I am based in Northern New Jersey and I have spent more than 30 years photographing weddings across New Jersey, New York City, and the surrounding region, including southeastern Pennsylvania. A property like this one suits the way I work, because it gives me architecture, interiors, gardens, and ceremony coverage without the couple spending their portrait time in a car.
Much of my work is with people who tell me before we start that they hate having their picture taken. Thirty years in, that is the part of the job I am best at.
If you are looking for an Abington Art Center wedding photographer, a Jenkintown PA wedding photographer, or a Pennsylvania wedding photographer anywhere around the greater Philadelphia area, the first conversation should be about your timeline and the gallery you want, not a pitch. You can also see a nearby Pennsylvania wedding at The Highlands Mansion in Fort Washington.
If you are planning an Abington Art Center wedding, tell me about your day.
About Me — But Really, It’s About You
The most meaningful wedding photos never come from stiff poses.
They come from the quiet laugh you didn’t think anyone saw.
The look on your partner’s face during the vows.
The warmth of your people all around you.
I’ve been doing this for over 30 years — and I still get nervous before every wedding.
Not because I’m uncertain, but because I know how much it matters.
After photographing hundreds of weddings over the past few decades, I’ve learned something simple:
The best photos happen when you feel fully present.
That’s why I work calmly, behind the scenes — guiding when it helps, then stepping back when the real moments unfold. I’m always anticipating what’s next, so you never have to think about a thing.
My goal is simple: to help you relax, feel confident, and walk away with photos that feel like you — not a filtered version of someone else’s idea of perfect.
Most of my couples say the same thing:
“We’re so glad we didn’t have to worry.”
trusted by over 800 couples In NYC & NJ you’re in great hands.
201-834-4999 | 917-992-9097
alex@alexkaplanweddings.com
I’d love to hear what you’re planning. I’ll personally reach out to learn more and see how I can help.