I’m Alex Kaplan, a wedding photographer and videographer based in New Milford, NJ, serving Northern NJ, NYC, and the Hudson Valley. For over 30 years, I’ve helped couples enjoy their day without feeling rushed, while I quietly capture the real moments, natural portraits, and genuine emotions you’ll still love decades from now.
Sebastian and Daniely’s St. Gregory the Great Church wedding took place on September 26, 2026, in Harrison, New York. I photographed their ceremony and their portraits at the church, from Sebastian waiting at the altar to the last family photograph on the front steps.
What I want to show here is how this church actually photographs. The long center aisle, the warm wood, the stained glass, and the detailed altar wall all shape what a couple takes home in their gallery.
I’ve photographed weddings for more than 30 years. You can see more of that work in my wedding photography portfolio.
St. Gregory the Great Church in Harrison, NY offers a traditional Catholic setting with a long center aisle, stained glass, warm wood pews, and a detailed altar. For photography, that means clean processional sightlines, room to shoot wide or tight, and real portrait options inside the sanctuary once the ceremony ends.
Walk in through the front doors and the aisle runs straight ahead to the altar, with wood pews on both sides and stained glass windows along the walls. Columns and arches frame the sanctuary, and the wall behind the altar carries painted turquoise scrollwork around a gold medallion.
For Catholic church wedding photography in Harrison, NY, that wall is the anchor. It reads clearly from the back of the church, so even the widest frames still say exactly where you were married.
My wedding photography timeline guide covers how to build portrait time into a church wedding day without making it feel rigid.

Before anyone walked in, Sebastian stood at the front in his military dress uniform, waiting. The frames from those minutes show him smiling at the front of the church with the stained glass behind him.

Because St. Gregory the Great features such a long, unobstructed center aisle, the space naturally builds incredible anticipation. During the processional, I positioned myself near the altar.
Rather than flooding the room with flash, I exposed for the warm, natural light reflecting off the dark wood architecture. It gave me a beautiful, moody pocket of light to photograph Daniely stepping past the floral aisle markers, and the sheer length of the aisle gave me plenty of time to pivot and capture Sebastian’s reaction.

When they reached the front, the person who escorted Daniely down the aisle pulled Sebastian into a hug. She stood a step away holding her bouquet and smiling, while a guest behind them raised a phone to catch it.

The ceremony frames cover the altar from three directions: from the center aisle behind the couple, from the side, and wide from the back of the church.
I go deeper on ceremony coverage in my article on wedding ceremony photography.

Then came the recessional, back up the same aisle that had built so much anticipation on the way in. Guests leaned into the aisle from both sides with phones raised as Sebastian and Daniely passed.

Yes, based on Sebastian and Daniely’s wedding. After the ceremony, the three of us had the sanctuary to ourselves for a few minutes of portraits along the center aisle and at the altar, before heading outside. Every parish sets its own rules, so confirm portrait time with the church in advance.
That same architecture became my favorite asset again right after the ceremony. While the guests filed outside and gathered on the front steps, Sebastian, Daniely, and I had the sanctuary completely to ourselves.
Without the crowd, the true scale of St. Gregory stands out. I was able to back up all the way down that same center aisle, shooting wide to frame the two of them alone against the altar and warm wood interiors, giving them a quiet minute together to take it all in before the reception energy kicked in.

The kiss at the altar and the bouquet raised high in the center aisle both came out of those few minutes.
That is one of the quiet advantages of a St. Gregory the Great Church wedding. The portraits look like the church, because they were made in it.
Outside, a vintage car was parked in front of the church, which turned the sidewalk into one more backdrop before family photographs started.

Three things from this wedding are worth borrowing: sanctuary time, family photos on the steps, and a parking plan.
Build those minutes into the timeline and confirm them with the parish and your photographer ahead of time. Sebastian and Daniely’s order worked well: greet guests, return to the sanctuary for portraits, then step outside to the front steps.
Their family and friends photographs were made on the front steps, one group after another, with the wooden church doors behind them.
Bring a written list of groups and ask one family member who knows everyone to call names.

St. Gregory has street parking and a relatively small parking lot, so share parking details with your guests in advance.
I’m based in Northern New Jersey and photograph weddings across New Jersey, New York City, Westchester County, and the Hudson Valley. As a St. Gregory the Great Church wedding photographer, I can tell you how the light behaves in that sanctuary and when to ask for those quiet minutes inside, because I’ve photographed a real ceremony there.
Sebastian was married in his military dress uniform, and I photograph military weddings as well as civilian ones.
My work is built around calm direction, especially for couples who tell me they hate having their picture taken.
If you’re planning a church wedding in Harrison or anywhere in Westchester County, the first conversation should be about your ceremony and your timeline, not a pitch. Tell me about your church wedding.
About Me — But Really, It’s About You
The most meaningful wedding photos never come from stiff poses.
They come from the quiet laugh you didn’t think anyone saw.
The look on your partner’s face during the vows.
The warmth of your people all around you.
I’ve been doing this for over 30 years — and I still get nervous before every wedding.
Not because I’m uncertain, but because I know how much it matters.
After photographing hundreds of weddings over the past few decades, I’ve learned something simple:
The best photos happen when you feel fully present.
That’s why I work calmly, behind the scenes — guiding when it helps, then stepping back when the real moments unfold. I’m always anticipating what’s next, so you never have to think about a thing.
My goal is simple: to help you relax, feel confident, and walk away with photos that feel like you — not a filtered version of someone else’s idea of perfect.
Most of my couples say the same thing:
“We’re so glad we didn’t have to worry.”
trusted by over 800 couples In NYC & NJ you’re in great hands.
201-834-4999 | 917-992-9097
alex@alexkaplanweddings.com
I’d love to hear what you’re planning. I’ll personally reach out to learn more and see how I can help.