I’m Alex Kaplan, a wedding photographer and videographer based in New Milford, NJ, serving Northern NJ, NYC, and the Hudson Valley. For over 30 years, I’ve helped couples enjoy their day without feeling rushed, while I quietly capture the real moments, natural portraits, and genuine emotions you’ll still love decades from now.
Couples searching for Van Vleck House & Gardens wedding photos are usually trying to answer something more personal than what the venue looks like.
They want to know whether their photographs will still feel like them.
Allison and Pascal’s portraits show that balance well. The photographs move from the stone entrance of the house to the open lawn and quieter garden paths, but the setting never becomes more important than the two people standing in it.
That is what I look for when photographing a garden wedding. The location should give us options without turning the photographs into a tour of the property.

The front entrance gives us one of the strongest architectural settings on the property. The recessed doorway and tall stone columns naturally frame a couple, while the surrounding hydrangeas soften the harder lines of the house.
The covered areas around the entrance also provide something practical: shade. That can be extremely useful when open sunlight is too harsh for comfortable portraits.
A short distance away, the columned walkway beneath the wisteria creates a more formal look. The structure becomes part of the composition without needing to dominate the photograph.
You can see more examples of how I photograph couples in different environments in my wedding photography portfolio.


After more than 30 years photographing couples, I tend to think about a property in terms of visual variety rather than a fixed shot list.
At Van Vleck, three areas do most of the work:
That variety matters because couples can create several completely different portrait looks without building travel time into the wedding schedule.
For more real wedding examples from New Jersey venues, you can also browse the wedding blog.

The garden photographs have a noticeably different feeling from the portraits around the house.
Instead of strong architectural lines, the backgrounds become softer. Open lawn, gravel paths, ferns, flowers, and mature planting create depth while allowing Allison and Pascal to remain the clear focus of the frame.
Movement is especially useful in an environment like this.
Walking together, holding hands, or simply turning toward one another gives a couple something natural to do instead of asking them to hold the same position and wonder what their hands are supposed to be doing.
For people who already expect to feel awkward in front of a camera, that difference can be important. A portrait does not have to feel heavily posed to look polished.
Allison and Pascal’s walking photographs are a good example. Their body language stays relaxed while the garden provides the setting around them.



Wide photographs establish where a wedding took place. The closer frames usually tell us more about the people.
While we were working in the garden, Pascal looked down at Allison’s ring and brought her hand toward him. I stayed where I was and kept photographing instead of interrupting them.
Those few seconds gave me two of the quieter frames from the session because their attention had shifted completely away from the camera.
One photograph shows Pascal looking down at Allison’s hand and wedding ring while the two of them smile. Another captures him bringing her hand toward his lips.
Those photographs work because the gesture becomes the subject. The garden is still there, but it falls away visually.
There is also a quieter portrait of Allison and Pascal sitting together on a weathered garden bench with the gravel path stretching behind them.
Beside the stone urn fountain, their embrace becomes the focus while the falling water and surrounding plants give the photograph depth.
These are the kinds of frames that keep a wedding gallery from feeling like a collection of venue photographs. The location matters, but the relationship has to matter more.




One of the most useful features of Van Vleck photographically is the amount of variety available inside one property.
Deep shade near the house, open lawn, structured architecture, and softer garden backgrounds give a photographer alternatives when the light changes.
I would generally protect about 45 to 60 minutes for wedding portraits if a couple wants to use several parts of the property without feeling hurried. That is not a rule for every wedding. Timeline needs depend on the couple, the size of the wedding party, family photographs, access, and the amount of coverage planned.
You can see the same idea of creating portrait variety within one location in Ilysse and James’s Brooklake Country Club wedding.
Access rules, permits, and event policies are controlled by Van Vleck House & Gardens and can change. Couples should confirm the property’s current requirements before building their wedding timeline around a particular area.

Couples do have wedding portraits made on the property, and Allison and Pascal’s photographs show what that can look like. Access rules, permits, and event policies are determined by Van Vleck House & Gardens and may change, so confirm the property’s current requirements before finalizing your wedding photography plans.
The biggest advantage is visual variety within a compact property. Stone architecture and columns create more structured portraits, while the lawn and garden paths create softer backgrounds. Mature planting adds depth, and shaded areas around the house can provide useful alternatives when direct sunlight becomes difficult.
From a photography standpoint, later afternoon can provide softer light while shaded areas around the house remain useful throughout much of the day. Garden appearance changes through the seasons, so couples should also consider what will be growing on their date and confirm property availability directly with Van Vleck.
Allison and Pascal’s Van Vleck House & Gardens wedding photos show why the property works so well for intimate portraits. It gives us architecture, greenery, open space, and quieter garden settings without making the location more important than the couple.
I photograph weddings and intimate ceremonies in Montclair and throughout Northern New Jersey. My goal is to create photographs that feel polished without making the day feel like one long photo session.
If you are planning a wedding or portrait session at Van Vleck and want help thinking through the photography timeline, get in touch and tell me what you are planning.
About Me — But Really, It’s About You
The most meaningful wedding photos never come from stiff poses.
They come from the quiet laugh you didn’t think anyone saw.
The look on your partner’s face during the vows.
The warmth of your people all around you.
I’ve been doing this for over 30 years — and I still get nervous before every wedding.
Not because I’m uncertain, but because I know how much it matters.
After photographing hundreds of weddings over the past few decades, I’ve learned something simple:
The best photos happen when you feel fully present.
That’s why I work calmly, behind the scenes — guiding when it helps, then stepping back when the real moments unfold. I’m always anticipating what’s next, so you never have to think about a thing.
My goal is simple: to help you relax, feel confident, and walk away with photos that feel like you — not a filtered version of someone else’s idea of perfect.
Most of my couples say the same thing:
“We’re so glad we didn’t have to worry.”
trusted by over 800 couples In NYC & NJ you’re in great hands.
201-834-4999 | 917-992-9097
alex@alexkaplanweddings.com
I’d love to hear what you’re planning. I’ll personally reach out to learn more and see how I can help.