I’m Alex Kaplan, a wedding photographer and videographer based in New Milford, NJ, serving Northern NJ, NYC, and the Hudson Valley. For over 30 years, I’ve helped couples enjoy their day without feeling rushed, while I quietly capture the real moments, natural portraits, and genuine emotions you’ll still love decades from now.
Most couples who ask me about beach engagement photos in New Jersey are really asking something quieter underneath the question: will this feel awkward? They have seen the stiff, overly posed versions online, and they want no part of that.
The beach is one of the easiest places to avoid it. You get sand, dune grass, weathered fencing, ocean, and open sky inside one location, plus room to move instead of standing in one spot waiting to be told what to do.
I’m Alex Kaplan. I’ve spent more than 30 years photographing couples across New Jersey and New York City, and at Alex Kaplan Weddings the engagement session is usually where a couple gets comfortable in front of a camera for the very first time.
Missy D’Onofrio and Alex Chelius had theirs on Long Beach Island. Their frames run through this article, and you can see more of this work in our wedding and couples portfolio.
Yes. Beaches provide several natural backdrops inside one location, including the shoreline, dunes, sand, ocean, and open sky. They also give couples room to walk and interact, which helps create a mix of candid photographs and traditional portraits without moving the session from place to place.
A beach removes the two things that make couples tense up: a small space and an audience standing three feet away.
Once there is distance and room to move, people stop performing. They walk, they talk to each other, they laugh at something that has nothing to do with me, and that is the frame I want.
One location also gives you variety without changing clothes or driving anywhere. Dune grass reads soft and green, open sand reads clean and minimal, and the water line adds motion.
That range is the practical argument for engagement photos on the beach over a single manicured location. A city session can be stunning and still lean on one look, which is part of why our engagement session at The Met Cloisters plays out so differently from this one.

These are the ideas I come back to on almost every coastal session. Most are visible somewhere in Missy and Alex’s frames, and the last one is simply what I want in every gallery I deliver.
Don’t open at the water. Start at the dune line, where the grass gives you a soft background and the space feels more private than open sand.
The first few minutes of any beach engagement session are the least natural, and both of you know it. A simple standing portrait gives you something easy to do while your shoulders come down.
Their dune frames do exactly that: two people standing close, nothing complicated, grass doing the work behind them.
Walking is the most underrated direction in beach engagement photography. It gives your hands a job, it gives your face something honest to do, and it produces expressions no pose can manufacture.
I’ll usually send a couple down the shoreline, let them get twenty or thirty feet ahead, and then just watch. The photographs from those stretches are almost always the ones people print.
With Missy and Alex I put it plainly: stop trying to look good in the photographs, just enjoy the view and feel the breeze. Looking at something real gives you something to do besides manage your own face, and on a beach there is always something to look at.
In their shoreline frames, nobody is checking the lens.
Somewhere in there, ask for one frame with real physical movement. A lift at the water’s edge is the simplest version, and it works because nobody can hold a self-conscious expression while their feet are off the ground. Ask later in the session, not in the first ten minutes.

A gallery made entirely of tight portraits feels claustrophobic. A gallery made entirely of wide frames feels distant.
Wide horizontal photographs place you inside the environment: the dune line, the fence posts, the length of shoreline behind you. Vertical frames pull in and make the photograph about the two of you.
The most common question I get about what to wear for beach engagement photos is whether the two of you should match. You shouldn’t, and you don’t need to.
Missy wore a long white lace dress and Alex wore a light patterned button down with dark denim. Nothing matched, but everything belonged to the same palette as the sand, sky, and dune grass.
Two guidelines carry most of the weight. Choose lighter or softer tones that sit comfortably beside a coastal background, and choose something with movement, because wind is part of the deal on a barrier island.
Barefoot is worth planning for too. Both of them are barefoot in their frames, which looks natural and removes the problem of crossing soft sand in something stiff.

You do not need three locations. You need one beach and a plan.
Missy and Alex’s gallery covers dune grass, a weathered fence line, a shore house backdrop, open sand, and the water’s edge. Five distinctly different looks, all coastal, all consistent.
That matters on Long Beach Island specifically. The island is long and one road wide, so every location change costs you daylight sitting on Long Beach Boulevard.
A dog changes the energy of a session for the better, because you both stop watching me and start watching them.
Plan for your dog to appear in a handful of frames rather than the whole session, and bring someone who can hold the leash and walk them out of shot when it’s time for couple portraits. Without that, one of you is always managing the dog instead of being in the photograph.
The catch is the calendar, and it is strict enough that it should shape your date. Details are in the dog section below.
Wide environmental frames tell people where you were. Close portraits tell them who you were with.
Every gallery I deliver has a few frames tight enough that the background goes soft and nothing competes for attention.
Those close portraits are the ones that end up framed on a wall years later, long after the location stops being the point.
Light near the ocean is unforgiving in the middle of the day. Sand and water both reflect hard, and midday sun tends to flatten faces and force squinting.
The hour or so approaching sunset is the most reliable window. Missy and Alex’s frames sit inside it, running from roughly an hour before sunset down to about twenty-five minutes before it. Sunrise is often the quieter option if you’re willing to set an alarm.
Season matters too. On Long Beach Township beaches in 2026, badges are required for anyone 12 and over from June 20 through September 7, and the sand is busy through that stretch. Dates outside peak summer can mean cooler conditions and fewer beachgoers, depending on the day and location.
A barrier island is breezier than anywhere inland, so loosely pinned hair will move. Bring a hair tie, and decide in advance that a little movement is part of the look.
Photographically, yes, and I encourage it when your dog is part of your daily life. But beach engagement photos with dog frames depend entirely on picking a legal date, and the window is narrower than couples expect.
On Long Beach Township beaches, ordinance § 47-5 prohibits animals on any public beach from May 16 through September 30, with guide and service dogs the only exception. Dogs are permitted from October 1 through May 15, and leash rules apply throughout.
Read those dates carefully, because the obvious shorthand is wrong. Late spring does not qualify past May 15, and September does not qualify at all. If your dog is coming, you are looking at early spring or from October onward.
Each Long Beach Island municipality also sets its own dates and its own badges, and township badges are not valid in Barnegat Light, Harvey Cedars, Surf City, Ship Bottom, or Beach Haven. Confirm with the specific borough before you book.
Their frames cover dune grass and fence line, open beach in front of the shore houses, and the water’s edge, with the light softening across the set as the sun drops.
The photographs shared here span about thirty-five minutes. That is not the full length of the session, but it shows how much variety one stretch of shooting can produce.

If you’re the couple that tenses up the second a camera comes out, a beach session is an easier place to start than a studio or a busy city street. There’s room to breathe, and I direct calmly rather than choreographing every second.
I’m based in Northern New Jersey and photograph couples across the state and into New York City, whether that means NJ beach engagement photos on Long Beach Island, a park closer to home in Montclair, or somewhere that already means something to the two of you.
Alex Kaplan Weddings can help you plan a session around your location, your timing, and the people or pets you want in the frame. Plan your New Jersey engagement session and tell me where you’re thinking.
Choose clothing that feels comfortable and works naturally with the coastal environment. Coordinated colors, lighter fabrics, and outfits that allow movement photograph especially well on the beach. Skip anything stiff, and plan on going barefoot.
Sunrise and the period approaching sunset generally provide softer light than the middle of the day. The best timing also depends on the beach, the season, the weather, and how crowded the sand is likely to be.
In Long Beach Township, only from October 1 through May 15. Animals other than guide and service dogs are prohibited on public beaches from May 16 through September 30, which rules out late spring and early fall as well as summer. Other Long Beach Island municipalities set their own dates, so confirm with the borough before booking.
No, and summer is often the worst choice. Outside the badge season you get emptier sand, softer light, and, before May 16 or from October 1, the window when dogs are permitted.
About Me — But Really, It’s About You
The most meaningful wedding photos never come from stiff poses.
They come from the quiet laugh you didn’t think anyone saw.
The look on your partner’s face during the vows.
The warmth of your people all around you.
I’ve been doing this for over 30 years — and I still get nervous before every wedding.
Not because I’m uncertain, but because I know how much it matters.
After photographing hundreds of weddings over the past few decades, I’ve learned something simple:
The best photos happen when you feel fully present.
That’s why I work calmly, behind the scenes — guiding when it helps, then stepping back when the real moments unfold. I’m always anticipating what’s next, so you never have to think about a thing.
My goal is simple: to help you relax, feel confident, and walk away with photos that feel like you — not a filtered version of someone else’s idea of perfect.
Most of my couples say the same thing:
“We’re so glad we didn’t have to worry.”
trusted by over 800 couples In NYC & NJ you’re in great hands.
201-834-4999 | 917-992-9097
alex@alexkaplanweddings.com
I’d love to hear what you’re planning. I’ll personally reach out to learn more and see how I can help.