Piazza di Roma Wedding Photography: An Amalfi Coast-Inspired Celebration

I’m Alex Kaplan, a wedding photographer and videographer based in New Milford, NJ, serving Northern NJ, NYC, and the Hudson Valley. For over 30 years, I’ve helped couples enjoy their day without feeling rushed, while I quietly capture the real moments, natural portraits, and genuine emotions you’ll still love decades from now.

Theresa and Richard did not want their wedding to look like a banquet hall with good landscaping. They wanted lemons, blue tile, gardens, and the feeling of a long afternoon somewhere along the Italian coast. A Piazza di Roma wedding in Aberdeen, New Jersey gave them a setting where those choices held together instead of fighting each other.
I have photographed weddings for more than thirty years, and I pay as much attention to how a venue shapes photographs as to how it looks on its own. This one has a strong point of view. You can see more of that work in the wedding portfolio, and couples still comparing coverage can review current wedding photography pricing and packages.
Theresa described the venue as having an Italian, Mediterranean atmosphere that almost felt like being on the Amalfi Coast. Their documented theme ran on lemons and blue tile, with blue, white, and yellow through the venue and dark sage green for the wedding party.
What made it work was that they leaned into the property instead of decorating over it. The gardens, the Mediterranean-style bar, the vintage Fiat, and the Vespa were not rentals they brought in. They were already there, and Theresa specifically asked us to use them.
That request matters more than it sounds. A couple who tells their photographer to actually use the venue is giving permission to slow down and look. If you are planning a Piazza di Roma wedding, decide early which parts of the property you want in your gallery and say so before the timeline is set.
When a venue has several recognizable features, I would rather use a few of them well than sprint through all of them. A wide garden frame, a tighter one near the Fiat, and something quieter against an architectural detail can read like three different parts of the day. Variety with intention beats checking off backdrops.

Theresa got ready alongside four women in matching silk-style pajamas while Richard and his group prepared separately at the same hotel. The couple asked us to prioritize the people and the moments happening in the room, with rings and accessories documented alongside them rather than instead of them.
That is a useful thing to say out loud. Getting-ready coverage drifts toward flat lays and product shots when nobody sets a priority. Theresa set one, which gave us a clear priority: people first, details second.
That kind of priority works best with lighter direction. Let the room keep moving, then step in only when a photograph needs structure. A room full of people getting ready is already doing something worth photographing, and the fastest way to flatten it is to start arranging it. Rings and dress details still deserve frames. They just do not need the whole hour.
Theresa and Richard chose to see each other before the ceremony. Their first look, immediate-family photographs, wedding-party portraits, and couple portraits were all scheduled on site before guests arrived.
People frame the first look as an emotional decision, and it is one. It is also a scheduling decision, and that is the part couples tend to feel later in the afternoon rather than in the moment. If you are weighing it, our piece on emotional wedding photos before the ceremony covers what that window usually produces.
During their first look in the gardens, I could see that both of them were still aware of the camera rather than settled into the moment. Instead of putting them into a formal pose, I asked them to turn toward each other, come a little closer, and stay there without looking at me. The change was immediate. Their shoulders relaxed, the space between them closed, and their expressions stopped reading as posed. That is what I am usually trying to create in a first look. The point is not to manufacture emotion. It is to give a couple just enough direction that they can stop thinking about the photograph.


For most couples, yes. Piazza di Roma has gardens, greenery, Mediterranean-inspired interiors, a bar, a vintage Fiat, and a Vespa inside one property. That gives you several distinct settings for the first look, family photographs, wedding-party portraits, and couple portraits without adding travel time to the day.
The time savings matter more than the extra backdrop. Couples often assume variety requires a second location, so they build a timeline around a park stop or a downtown block and then spend part of their own wedding in a car. Theresa and Richard gave us creative freedom to pick the strongest spots on site, and the range in their gallery came from walking, not driving.
There is a practical limit. If your priority is a beach or a skyline, you will still need to travel. But if the venue’s Italian character is part of why you booked it, spending that time on the property keeps the timeline simple and gives the place a real presence in the finished gallery.


Finish the first look and the major portraits before the ceremony, then keep the formal family list deliberate. Theresa wanted real time at cocktail hour, so rather than scheduling a long run of extended-family groups we planned to photograph some relatives more casually while she and Richard greeted guests.
This does not mean skipping family photographs. It means deciding in advance which groups genuinely need to be formal and which people can be covered naturally during the celebration. Our New Jersey wedding day photography timeline guide walks through how that sequencing affects the rest of the day.
Cocktail hour is usually the first stretch of a wedding where nothing is scheduled, the room is full, and everyone you love is in one place. Spending it lined up against a wall is a common regret, and a short planning conversation beforehand can prevent that.
Their Piazza di Roma wedding also kept the ceremony, cocktail hour, and reception on one property, so those transitions stayed short. That gave them more time to spend on the celebration instead of moving between locations.

Their reception was not a standard run of formalities. Their reception included four especially personal family dances, each tied to someone important in their lives: Theresa with her son and daughter, Richard with his sister and new stepdaughter.
The lemon theme carried to the end. Mini lemon cones, a limoncello-inspired T-shirt toss, light sabers, birthday announcements, an outdoor cake cutting, and sparklers to close. None of that is decoration. Those are the photographs with the most personal context later, and they exist because the evening was built around their own people instead of a template.
My practical advice after more than thirty years: write down the three or four moments that are specific to your family and make sure your photographer has that list before the reception starts. The standard reception moments are generally easy to anticipate. The personal ones can be easier to miss if nobody flags them in advance, and those are often the photographs with the most meaning later. If you are comparing nearby venues, Addison Park in Aberdeen is a useful second reference in the same town.

If you are booked at Piazza di Roma or still deciding, the venue gives you something most places do not, which is real variety inside one property. Gardens, Italian-inspired details, and distinctive props can all become part of the photography, and a first look with a focused formal list leaves room to actually enjoy the celebration.
I photograph weddings across Northern New Jersey, the NYC metro area, and the Hudson Valley, and I travel to venues like this one in Monmouth County. If you are planning a Piazza di Roma wedding or a celebration nearby, get in touch and we can talk through photography and video coverage for your day.
Piazza di Roma is located in Aberdeen, New Jersey. Theresa and Richard held their first look, portraits, ceremony, cocktail hour, and reception at the venue.
Yes. Theresa and Richard scheduled their first look and key family, wedding-party, and couple portraits before their ceremony, using the venue’s gardens and other on-site settings.
For this wedding, the planned photography locations included the gardens, Mediterranean-inspired interiors and bar, along with distinctive Italian-themed features such as the decorated Fiat and Vespa.
It can be. For Theresa and Richard, scheduling their first look and major portraits before the ceremony helped leave more of cocktail hour available for enjoying the celebration and spending time with guests.
About Me — But Really, It’s About You
The most meaningful wedding photos never come from stiff poses.
They come from the quiet laugh you didn’t think anyone saw.
The look on your partner’s face during the vows.
The warmth of your people all around you.
I’ve been doing this for over 30 years — and I still get nervous before every wedding.
Not because I’m uncertain, but because I know how much it matters.
After photographing hundreds of weddings over the past few decades, I’ve learned something simple:
The best photos happen when you feel fully present.
That’s why I work calmly, behind the scenes — guiding when it helps, then stepping back when the real moments unfold. I’m always anticipating what’s next, so you never have to think about a thing.
My goal is simple: to help you relax, feel confident, and walk away with photos that feel like you — not a filtered version of someone else’s idea of perfect.
Most of my couples say the same thing:
“We’re so glad we didn’t have to worry.”
trusted by over 800 couples In NYC & NJ you’re in great hands.
201-834-4999 | 917-992-9097
alex@alexkaplanweddings.com
I’d love to hear what you’re planning. I’ll personally reach out to learn more and see how I can help.