A Joyful Nanina’s in the Park Wedding Featuring Jewish & Latin Traditions
July 9, 2026

I’m Alex Kaplan, a wedding photographer and videographer based in New Milford, NJ, serving Northern NJ, NYC, and the Hudson Valley. For over 30 years, I’ve helped couples enjoy their day without feeling rushed — while I quietly capture the real moments, natural portraits, and genuine emotions you’ll still love decades from now.
July 9, 2026

Quick Answer: Nanina’s in the Park is one of New Jersey’s most elegant wedding venues, known for its gardens, an outdoor wedding ceremony space, grand ballrooms, and no shortage of portrait locations. For Ash and Zack, those spaces became the backdrop for a day that wove together Jewish traditions, Latin wedding traditions, quiet private vows, and the kind of family joy that photographs itself.
I met Ash and Zack a few months before their wedding, and one thing was clear from our first conversation: they wanted their day to feel like them, not like a template pulled from a wedding magazine. A Nanina’s in the Park wedding gave them room to do exactly that. It’s a venue I return to again and again on my guide to the best wedding venues in Northern New Jersey for exactly the reasons you’ll see below. Between the outdoor ceremony space, the gardens, and a reception built around two cultures instead of one, their celebration in Belleville, New Jersey turned into one of the more layered, emotional weddings I’ve photographed this year.
This is the kind of day documentary wedding photography exists for. Nobody was performing for the camera. I just needed to stay close, stay quiet, and be ready when something real happened, which at this wedding was almost constantly.
Weddings that blend two family backgrounds can sometimes feel like a balancing act, with couples worrying that one tradition will overshadow the other. Ash and Zack never seemed worried about that for a second. Everything about their day, from the ceremony to the reception floor, felt like it belonged to both families equally, and that ease shows up in almost every frame from the gallery.
Getting ready mornings tell you a lot about a wedding before it even starts, and this one told me everything. Ash’s suite was loose and easy: someone had music going, her mother was fussing over the veil, and there was a lot of laughing about nothing in particular.
Zack’s side was calmer but no less warm, the kind of quiet where you can tell everyone in the room genuinely likes each other. The groomsmen razzed him gently while he got his tie straight, and one of his groomsmen kept checking the rings every few minutes like they might disappear.
I always spend this part of the morning working the edges of the room rather than directing it. The dress details, the rings, the invitation suite laid out near the window, these are small things, but they set the tone for the whole gallery. A little natural light through the bridal suite window did more work than any posed shot could have.
By the time Ash slipped into her dress, the room had gone quiet in that specific way it does right before something big happens. That hush is one of my favorite things to photograph at any Nanina’s in the Park wedding, and it never photographs the same way twice.
The window light in Nanina’s bridal suites tends to run soft through most of the morning, which is a gift for anyone photographing details. I laid the invitation suite next to Ash’s shoes and a handwritten note from her grandmother, small choices that end up meaning more in the final gallery than almost anything staged could.
Ash and Zack chose a first look, and then took it a step further with private vows immediately after. It’s one of the choices I recommend most often, and it’s worth explaining why.
One of my favorite parts of this wedding happened before the ceremony even began. Their private vows gave them a chance to slow down, take a breath, and simply be together before the excitement of the day unfolded. No guests, no officiant, just the two of them reading words they’d written weeks earlier.
Is a first look worth it? For most couples, yes. This is really what first look wedding photography is built for, and I’ve written more about how to build a first look into your wedding day timeline if you want the fuller breakdown. It protects a quiet window before the day gets loud, and it almost always produces the most honest, unguarded photographs of the entire wedding.
We found a corner of the property away from the vendors and setup crews, just enough distance to make it feel private even with a wedding happening all around us. That’s really all a moment like this needs: a quiet spot and permission to slow down.
Ash and Zack walked into their ceremony already grounded, which changed how the rest of the day felt for both of them. You could see it later, in how relaxed they were during the recessional and the family formals that followed.
Is Nanina’s in the Park a good wedding venue for photography? After shooting there again for Ash and Zack, my answer hasn’t changed: it’s one of the strongest properties in Northern New Jersey for a couple who wants variety without leaving the grounds.
The gardens do a lot of the work on their own. Stone pathways wind past flower beds and low stone walls, and the greenery stays lush enough that even a quick five-minute walk between locations gives you a completely different backdrop.
Ash and Zack’s portraits moved from a quiet garden path to a white stone bridge tucked into the property, the kind of spot that looks staged in photos but is really just Nanina’s in the Park doing what it does best. A few steps further, a garden balcony overlooking the property gave us another strong location, elevated just enough to soften the background into greenery.
I’ve photographed many weddings at Nanina’s in the Park, and every celebration feels different because every couple brings their own traditions and personalities into the day. This one, with its blend of soft garden portraits and dramatic interior architecture, gave us both the tenderness of the outdoors and the elegance of the ballroom.






The interior staircase, lined in baby’s breath for Ash and Zack’s wedding, is one of the more dramatic formal portrait locations I use at this venue. In black and white, it reads timeless in a way that will still look right in twenty years, long after trends in florals and dress styles have changed. If you want a closer look at the property itself before your own tour, Nanina’s own gallery gives a good sense of the grounds and ballroom beyond what any single wedding gallery can show.
Late spring gave us soft, overcast light for most of the afternoon, which is exactly what you want for portraits. Direct sun creates hard shadows and squinting, while the kind of filtered light we had that day lets expressions read clearly without a single harsh line on anyone’s face.

This is where Ash and Zack’s wedding stood apart from a typical venue recap. Ash’s family brought Jewish traditions into the ceremony and reception, and Zack’s family brought Latin wedding traditions into the celebration, and neither one got treated as an afterthought.
The Challah blessing early in the celebration set a warm, familial tone, with both families gathered close as the bread was blessed and shared among the room. Later, the Horah pulled nearly every guest onto the floor, the kind of dance where you photograph fast and instinctively because the energy moves faster than anyone can direct it.
Zack’s family brought their own tradition to the floor with zapateado, the rhythmic Latin footwork that turned the dance floor into something closer to a performance for a few minutes. Watching both traditions share the same room, sometimes within the same twenty minutes, was genuinely moving to witness as a photographer.
Family members from both sides leaned into it fully, and a few of the emotional speeches later in the night referenced exactly this: two families, two backgrounds, one celebration. I watched Ash’s grandmother, who had led part of the Challah blessing, get pulled onto the floor for the Horah minutes later, still laughing from the blessing itself.
Weddings like this are why I love documentary wedding photography so much. You can’t script two cultures colliding this joyfully. You can only stay ready for it, camera up, watching the edges of the room instead of just the center of it.
If the ceremony and traditions were the heart of the day, the reception was the release. Ash and Zack’s first dance was tender and a little goofy in the best way, the kind of dance where you can tell they’re more focused on each other than on the room watching them.

Speeches ran long in the way good speeches do, full of inside jokes and a few tears from both sides of the family. The cake cutting came with the usual laughter, and grandparents on both sides made their way onto the dance floor more than once throughout the night, which is always one of my favorite things to catch candidly.
Then came the surprise: instead of a traditional bouquet toss, Ash tossed a bundle wrapped around a Pokemon figure to a crowd of very enthusiastic guests. It was silly, it was completely them, and it became one of the most talked-about moments of the entire reception.
By the time the dance floor filled for the last hour, guests who’d been strangers that morning were dancing together like old friends. That’s usually the clearest sign a wedding worked the way it was supposed to: two guest lists that didn’t fully know each other, moving as one crowd by the end of the night.
If Ash and Zack’s day has you thinking about your own Nanina’s in the Park wedding, a few practical notes from an NJ documentary wedding photographer who has shot there more than once.
Build in real time for portraits, especially if you’re combining an outdoor wedding ceremony with garden and balcony shots afterward. A first look, like the one Ash and Zack chose, buys you that time without cutting into cocktail hour, so your guests get a full cocktail hour and you still get every portrait you wanted. My full wedding photography timeline guide walks through how to build buffer into every part of the day.
If you’re blending traditions the way this couple did, talk to your photographer early about which moments matter most so nothing gets missed in the flow of the day. Cultural moments like a Challah blessing or a Horah move quickly, and a photographer who doesn’t know they’re coming will miss the best of them.
And if documentary style, the kind that captures real reactions instead of directed poses, is what you’re after, choose a photographer who will spend the day watching for those moments rather than manufacturing them.
One more note worth saying out loud: if your wedding is blending traditions from two families, protect a little extra buffer in your family formals timeline. Extended family photos naturally take longer when there are more relatives, more languages, and more people who haven’t seen each other in years wanting a photo together. That’s a good problem to have, but it does need a few extra minutes built into the plan.
Ash and Zack’s wedding at Nanina’s in the Park was one of those days that reminded me why I still love this work after thirty years behind the camera. Two families, two sets of traditions, and one couple who never once seemed to be performing for anyone but each other.
Planning a wedding at Nanina’s in the Park? I’d love to help you tell your story in a natural, honest way that lets you relive every meaningful moment. If you’re looking for a documentary-style New Jersey wedding photographer, let’s talk about your vision and create photographs that feel as genuine as your day.
About Me — But Really, It’s About You
The most meaningful wedding photos never come from stiff poses.
They come from the quiet laugh you didn’t think anyone saw.
The look on your partner’s face during the vows.
The warmth of your people all around you.
I’ve been doing this for over 30 years — and I still get nervous before every wedding.
Not because I’m uncertain, but because I know how much it matters.
After photographing hundreds of weddings over the past few decades, I’ve learned something simple:
The best photos happen when you feel fully present.
That’s why I work calmly, behind the scenes — guiding when it helps, then stepping back when the real moments unfold. I’m always anticipating what’s next, so you never have to think about a thing.
My goal is simple: to help you relax, feel confident, and walk away with photos that feel like you — not a filtered version of someone else’s idea of perfect.
Most of my couples say the same thing:
“We’re so glad we didn’t have to worry.”
trusted by over 800 couples In NYC & NJ you’re in great hands.
201-834-4999 | 917-992-9097
alex@alexkaplanweddings.com
I’d love to hear what you’re planning. I’ll personally reach out to learn more and see how I can help.