I’m Alex Kaplan, a wedding photographer and videographer based in New Milford, NJ, serving Northern NJ, NYC, and the Hudson Valley. For over 30 years, I’ve helped couples enjoy their day without feeling rushed, while I quietly capture the real moments, natural portraits, and genuine emotions you’ll still love decades from now.
Ask a five-year-old to smile and watch what happens to their face. The eyes go flat. The mouth stretches sideways, and something that was alive two seconds earlier turns into a small polite mask.
That reaction is the whole reason I photograph kids at weddings the way I do. After more than 30 years behind a camera across Northern New Jersey and New York City, I can tell you the instruction itself is usually what ruins the picture.
Children are not resistant to being photographed. They are resistant to performing. Stop asking them to perform and they hand you everything.
There is a specific face children make on command. Chin tucked, teeth clenched, eyes doing nothing at all. Parents usually recognize that expression immediately.
The problem is not the child. A genuine smile is difficult to manufacture on command, and asking for one out loud turns it into a chore.
Real expressions arrive on their own schedule. A boy gets folded into a hug by three adults at once, a croquette still gripped in one fist, grinning while they fuss over him. Nobody could have called for that face.
So I stop requesting. I stay at the edge of whatever is happening and let the room do the work. It is the same instinct behind documentary wedding photography, applied to the guests least interested in cooperating.
Children in wedding photos age differently than adults do. A posed shot tells you a child attended. A candid one tells you what they were like.
None of this is complicated. Most of it is restraint.

The kid moments families remember are often not the scheduled ones. Not the processional, not the posed group beside the cake.
They happen in the gaps. Cocktail hour, the last stretch before the ceremony, the part of the evening after dinner when the room loosens and nobody is directing anything.

I keep working through those gaps. A toddler reaching toward a bouquet is not on anyone’s shot list, and it is the kind of frame that tends to end up printed. You can see moments like those throughout my wedding portfolio.
This is where natural wedding photography earns its keep. Not because posed images are wrong, but because unguarded photographs preserve parts of a child’s personality that a formal portrait may not show.
Candid wedding photos of children carry information a portrait cannot hold: how they moved, who they gravitated toward, and what they did the second nobody was managing them.
Less than you would think, and that is the point.
Skip the pre-wedding pep talk about being good for the photographer. A wedding is already a stimulating environment for a young child, and adding an assignment about behaving for the photographer tends to add pressure rather than remove it.
Let them take breaks. Bring a snack and a familiar object, and do not apologize when a kid needs a few minutes away from the noise. Venues with room to move, like the setups I have described in weddings with kids at Hamilton Farm Golf Club, make those resets feel normal instead of disruptive.
One more thing worth saying out loud: a child does not have to look at the camera for the photo to be good. A family wedding photo can carry just as much when it shows the back of a small head and the face of the adult watching them.

Absolutely, and I build time for it on every wedding.
Formal family portraits do a job that candid coverage cannot. Decades from now, families want a clean record of exactly who stood together on that day, and children belong in that record.
The argument is not that posed photographs are bad. The argument is that they are one part of the coverage, not the whole of it.

So I shoot the traditional combinations properly, then stay alert for the moments right after I say we are finished. That is usually when the youngest person in the group does something worth photographing.
Quietly, and from a distance. A longer lens allows more working distance, so the ceremony can be covered without crowding anyone, and the best position sees the wedding party and the front rows at once. Ceremony reactions from children are brief, so anticipation matters more than proximity.
There is no single hardest age. Toddlers and preschoolers can be especially unpredictable, because they are mobile, easily overstimulated, and not interested in a wedding timeline. Keep the interaction short, give them room to reset, and work with a parent nearby instead of adding more direction.
Often yes, and these are some of my favorites. A flower girl watching a bride finish getting dressed can produce a natural reaction that is difficult to recreate later. Keep the room calm and let the child come to the bride rather than staging the introduction.
If a child is crying, stop and come back rather than pushing for another frame. Continuing to direct them can make the situation harder. A short break with a parent gives them room to reset, and gives everyone a better chance at natural photographs afterward.
If children will be part of your day, you want a photographer who treats them as guests rather than props.
I photograph weddings throughout Northern New Jersey and New York City, from New Milford where I am based to Ringwood and well beyond, and I have spent three decades learning when to raise the camera and when to simply wait.
Tell me who is coming and how old they are, and I will build the coverage around them. Call or text 917-992-9097 or 201-834-4999, or send me a message with your date.
About Me — But Really, It’s About You
The most meaningful wedding photos never come from stiff poses.
They come from the quiet laugh you didn’t think anyone saw.
The look on your partner’s face during the vows.
The warmth of your people all around you.
I’ve been doing this for over 30 years — and I still get nervous before every wedding.
Not because I’m uncertain, but because I know how much it matters.
After photographing hundreds of weddings over the past few decades, I’ve learned something simple:
The best photos happen when you feel fully present.
That’s why I work calmly, behind the scenes — guiding when it helps, then stepping back when the real moments unfold. I’m always anticipating what’s next, so you never have to think about a thing.
My goal is simple: to help you relax, feel confident, and walk away with photos that feel like you — not a filtered version of someone else’s idea of perfect.
Most of my couples say the same thing:
“We’re so glad we didn’t have to worry.”
trusted by over 800 couples In NYC & NJ you’re in great hands.
201-834-4999 | 917-992-9097
alex@alexkaplanweddings.com
I’d love to hear what you’re planning. I’ll personally reach out to learn more and see how I can help.