Ilysse & James’ Brooklake Country Club Wedding: A Beautiful First Look and Portrait Experience

I’m Alex Kaplan, a wedding photographer and videographer based in New Milford, NJ, serving Northern NJ, NYC, and the Hudson Valley. For over 30 years, I’ve helped couples enjoy their day without feeling rushed, while I quietly capture the real moments, natural portraits, and genuine emotions you’ll still love decades from now.

Ilysse Ratner and James Sandham were married on August 28, 2026, and their Brooklake Country Club wedding gave us something photographers do not always get: several genuinely different portrait settings inside one property.
Stone, greenery, open lawn, mature shade, and the lake all sit on one property in Florham Park. That matters more than it sounds like it should.
I am Alex Kaplan. I have photographed weddings across New Jersey and New York City for more than 30 years, and I would rather build a portrait plan around a property than around a schedule. You can see more of that work in my wedding portfolio
A first look is not a photograph. It is a decision about when the two of you see each other, and everything downstream of it changes: the timeline, the portrait window, and how the rest of the day feels.
Ilysse and James did theirs before the ceremony, against the stone and greenery on the property rather than in a room.
The setting did real work here. Stone gives a background with texture instead of a flat wall, and the planting around it filters the light.
I keep the first look private. No wedding party watching, no guests arriving, no line of phones. Two people and a photographer far enough back that the two of you get the moment before I get the photograph.
Right after James turned around, a brief breeze caught Ilysse’s veil and wrapped it over his arm. Couples usually freeze when wardrobe misbehaves, waiting for someone to step in and fix it.
I stayed back and kept the camera raised. James did not try to untangle it. He just pulled her closer with the tulle still wrapped around his sleeve, and they stayed like that, talking quietly.
That is exactly why I enforce privacy during a first look. If guests had been watching, three people would have rushed forward to fix the veil, and the moment would have vanished.


The practical argument is simpler than the emotional one. A first look moves couple portraits off the back half of the day, where they compete with cocktail hour, light that is disappearing, and a hundred people who want to talk to you.
Yes, Brooklake Country Club works well for wedding photos, because several distinct portrait environments sit on one property. Stone architecture, landscaped greenery, mature shaded trees, open lawn, and the lake give a gallery real visual range without building a second portrait destination into the day.
That last part is the whole point. Every location change on a wedding day costs you time you would rather spend on photographs.
Brooklake describes its own grounds as a lakefront property in Florham Park with winding pathways and open views, and that description holds up in the pictures.
Shade matters just as much as scenery for a late August wedding. Mature trees give me somewhere to put people when the sun is still high, which is why the shaded frames and the open lawn frames from this day look like they came from different afternoons.

For couples comparing New Jersey country club weddings, this is the question worth asking on a tour: how many genuinely different backgrounds does this property actually give me? A Rockleigh Country Club wedding answers it differently than this one does, and both answers are good.
Couple portraits work best as a sequence rather than a list. We start somewhere contained, usually where the first look happened, and open outward as people loosen up.
The lake changes the frame completely. Water gives distance, a clean horizon, and light coming back up from below, which is flattering in a way a lawn is not.


Veil frames belong in the same stretch. A veil is the one thing a bride is wearing that moves on its own, and it is worth three minutes of somebody’s attention while there is still a breeze.
Then I go wide, and then I go close. A wide frame tells you where you were married. A close frame drops the venue away and lets expression carry the photograph, which is why every gallery I deliver has both.


Couples want both, and the two are not in tension. They just need different handling.
I work in passes. The classic photographs come first, because they are the ones people expect and the ones that get printed for parents, and getting them done early removes the low background anxiety that you are going to miss them.
Then I stop directing. That is when the useful part starts.
The laughing, mid conversation frames are almost never the ones made while a list is still being worked through. Nobody performs a laugh on request, and I have stopped asking anyone to try.

This is also why I do not hand couples a two page shot list and call it a plan. I ask couples to choose the two or three photographs that matter most to them before the day, and I protect those. The rest is watching.
If you are weighing a first look, the honest version is that it buys you time and costs you a tradition. Some couples want the aisle to be the first moment. That is a legitimate choice and I photograph plenty of them.
What a first look buys is portrait time in daylight, with both of you unhurried and nobody waiting for you.
Work backward from the ceremony, not forward from getting ready. Put the first look far enough ahead that couple portraits, wedding party, and any immediate family can all happen before guests arrive, and leave a buffer for hair, makeup, or traffic running long.
Late summer at a property like this one means the sun is still high when a first look happens, so the shaded and stone backed areas matter more than the open lawn at that hour. My wedding photography timeline guide covers how to build that buffer without making the day feel overplanned.
Pick the location with your photographer rather than from a Pinterest board. Privacy, light at that specific hour, and how far it sits from where you are both getting ready all matter more than how a spot photographs at a different time of day.
One more thing worth saying out loud: the emotion does not disappear because you saw each other early. Some of the most emotional wedding photos happen before the ceremony, and a first look is one of the few times all day when nobody is watching you.

If you are planning a Brooklake Country Club wedding in Florham Park, the property will give you more than you probably expect from a single address: stone, shade, lawn, pathways, and the lake.
What decides whether that shows up in your gallery is the timeline. Protect the portrait window, decide early whether you want a first look, and choose your locations with the person who will be standing in them with you.
I photograph weddings throughout Northern New Jersey, across the state, and into New York City, and much of my work is with people who tell me before we start that they hate having their picture taken. Thirty years in, that is the part of the job I am best at.
If you are looking for a Brooklake Country Club wedding photographer, tell me about your day and we will start with your timeline rather than a pitch.

About Me — But Really, It’s About You
The most meaningful wedding photos never come from stiff poses.
They come from the quiet laugh you didn’t think anyone saw.
The look on your partner’s face during the vows.
The warmth of your people all around you.
I’ve been doing this for over 30 years — and I still get nervous before every wedding.
Not because I’m uncertain, but because I know how much it matters.
After photographing hundreds of weddings over the past few decades, I’ve learned something simple:
The best photos happen when you feel fully present.
That’s why I work calmly, behind the scenes — guiding when it helps, then stepping back when the real moments unfold. I’m always anticipating what’s next, so you never have to think about a thing.
My goal is simple: to help you relax, feel confident, and walk away with photos that feel like you — not a filtered version of someone else’s idea of perfect.
Most of my couples say the same thing:
“We’re so glad we didn’t have to worry.”
trusted by over 800 couples In NYC & NJ you’re in great hands.
201-834-4999 | 917-992-9097
alex@alexkaplanweddings.com
I’d love to hear what you’re planning. I’ll personally reach out to learn more and see how I can help.