I’m Alex Kaplan, a wedding photographer and videographer based in New Milford, NJ, serving Northern NJ, NYC, and the Hudson Valley. For over 30 years, I’ve helped couples enjoy their day without feeling rushed — while I quietly capture the real moments, natural portraits, and genuine emotions you’ll still love decades from now.
There is a moment in every first dance, usually about eight seconds in, when the couple stops performing for the room. Her hand slides up to the back of his neck. He drops his shoulders. Whatever they rehearsed dissolves, and what is left is two people who forgot two hundred guests are watching.
That moment is what a room either protects or interrupts, and it is the first thing I look at when a couple tells me where they are getting married. A Fox Hollow wedding puts that moment inside spaces designed for celebration at scale. Over thirty years behind a camera, I have learned that the best venues do exactly this: they hold a crowd without swallowing the couple.
At Alex Kaplan Weddings, I photograph the day the way it actually unfolds. If you want the longer version of how I got here, more about my thirty years behind the camera is worth a few minutes before you shortlist anyone.
If you are still comparing wedding and engagement photography collections, start with the room and work outward.
The estate sits on eight acres along Jericho Turnpike in Woodbury, and the first thing couples notice on a tour is how little the property feels like a catering hall. Gardens with waterfalls, ponds and streams wrap the buildings. The architecture leans English estate rather than banquet ballroom.
Inside, the Garden Terrace is the room most couples book for a reception. Floor to ceiling windows look straight into those gardens, alabaster and Tuscan chandeliers hang over one of the largest dance floors on Long Island, and the room seats up to 300.
The Winter Garden Pavilion is the quieter alternative, capped near 180 guests under a vaulted conservatory glass ceiling. Daylight pours through the skylights in the afternoon, which is a genuine gift for anyone photographing a ceremony indoors.
Then there is the practical part that nobody puts on a mood board. The Inn at Fox Hollow is an all suite hotel and spa on the same property, which means a Fox Hollow wedding can run from getting ready to collapsing at midnight without a single shuttle. You can read the venue’s own breakdown of spaces and amenities on the official Fox Hollow weddings page.
Fox Hollow is one of Long Island’s most sought after wedding venues, offering elegant event spaces, beautiful reception rooms, exceptional service, and timeless surroundings that create unforgettable wedding celebrations and stunning photography opportunities.
Location helps too. Woodbury sits close enough to both Nassau and Suffolk that guest travel rarely becomes a planning headache, and couples coming from the city reach it without an ordeal.
Ask a couple six months later which photograph they framed, and it is almost never the one they posed for. It is the grandmother mouthing the lyrics from the edge of the dance floor. It is the best man wiping his eyes and pretending he is not.
I see the same pattern across hundreds of receptions. Formal portraits get printed for parents. Candid frames get lived with.
That is why I spend most of a reception at the perimeter rather than in the middle of it. Guests relax when the camera stops feeling like an event, and the laughter that follows is the real material.
The Garden Terrace is built around one of the largest dance floors on Long Island, with the room wrapping it rather than facing it from a distance. On a floor laid out that way, background faces in a first dance photograph tend to belong to people who love you rather than to an empty wall.
The published lighting setup helps too. Adjustable LED uplighting on the fluted columns lets you set the dance floor warm or cool, and the chandeliers overhead keep enough ambient light in the room that a first dance does not have to be lit like an interrogation.

My approach is straightforward: I watch more than I direct. Documentary wedding photography means the photographer’s job is to anticipate a moment, not manufacture one.
Direction still happens. I will move a couple three feet into better light, or quietly shift a family group so a fire exit sign is not floating over someone’s head. What I will not do is interrupt a father mid sentence because I want a cleaner angle.
The tradeoff is worth naming honestly. Candid wedding photography produces fewer perfectly symmetrical frames and far more photographs that make you feel something years later. Couples who want a heavily styled, magazine editorial day are better served by a different photographer, and I say so on the first call.

The gardens are the obvious answer, and they earn it. Waterfalls, streams and tiered private patios give you varied backgrounds within a two minute walk of the reception, which matters enormously when your portrait window is thirty minutes long.
The outdoor chapel and the private photo areas attached to the Garden Terrace are worth asking about on your tour. Spaces like those let a couple step away for ten minutes without a production, and ten unhurried minutes usually outperforms an hour of marching around a property.
Indoors, watch for the transitional spaces. The Garden Terrace has an indoor and outdoor cocktail room, and at nearly every venue I work, that kind of doorway light is the most flattering available.
Evening changes the calculus again. Once the sun drops and the uplighting takes over, reception photographs get moodier, and a dance floor that size gives the energy somewhere to go.

Timeline decisions shape your photographs more than any other choice you will make, gear and editing style included. These are the ones I raise with every couple planning a reception in a room like this:
Most couples tell me the same thing after the first meeting: they were relieved that I did not sell to them. Three decades in, I would rather find out early whether the fit is right than talk anyone into a booking.
On the day itself, calm is the deliverable. I know when a family portrait list is running long, I know how to move a group of forty without raising my voice, and I know when to disappear.
You can get a fuller sense of the work in the wedding gallery, where full days sit next to single frames like the one above.
Yes. The eight acre estate offers gardens, waterfalls, an outdoor chapel and private photo areas, plus interior rooms with floor to ceiling windows and skylights. That range means strong photographs are possible in almost any weather or season.
The tiered garden patios with waterfalls, the streams and ponds, the outdoor chapel, the Winter Garden Pavilion under its glass conservatory ceiling, and the private photo areas connected to the Garden Terrace. Walk the indoor and outdoor cocktail room on your tour as well, since transitional doorway light is usually the most flattering at any venue.
Aim for roughly 45 minutes before sunset for outdoor portraits, with a backup indoor window earlier in the day. Build in 20 to 30 minutes total, and treat that block as protected time rather than a buffer that other vendors can borrow.
It is strongly recommended for ceremonies starting after 5 p.m., and for any wedding with a large family portrait list. A first look shifts couple portraits into daylight and removes the most common source of timeline stress.
Documentary and candid wedding photography suit a property like this, because the rooms and gardens supply the atmosphere without heavy staging. With the reception built around a central dance floor, reaction driven storytelling coverage tends to outperform a rigidly posed approach.
Plan on 30 minutes for couple portraits, 20 to 30 minutes for family formals, and 15 minutes for the wedding party. Ceremony and reception coverage runs continuously on top of that, and it is candid time, not scheduled time.
Years from now you will not remember the linen color. You will remember your mother’s face during the toast, and the eight seconds in the first dance when the room disappeared.
Planning your Fox Hollow wedding? I would love to help you preserve every genuine moment with natural, documentary style photography that reflects your story. Contact Alex Kaplan Weddings to check availability and begin planning your wedding photography experience.
About Me — But Really, It’s About You
The most meaningful wedding photos never come from stiff poses.
They come from the quiet laugh you didn’t think anyone saw.
The look on your partner’s face during the vows.
The warmth of your people all around you.
I’ve been doing this for over 30 years — and I still get nervous before every wedding.
Not because I’m uncertain, but because I know how much it matters.
After photographing hundreds of weddings over the past few decades, I’ve learned something simple:
The best photos happen when you feel fully present.
That’s why I work calmly, behind the scenes — guiding when it helps, then stepping back when the real moments unfold. I’m always anticipating what’s next, so you never have to think about a thing.
My goal is simple: to help you relax, feel confident, and walk away with photos that feel like you — not a filtered version of someone else’s idea of perfect.
Most of my couples say the same thing:
“We’re so glad we didn’t have to worry.”
trusted by over 800 couples In NYC & NJ you’re in great hands.
201-834-4999 | 917-992-9097
alex@alexkaplanweddings.com
I’d love to hear what you’re planning. I’ll personally reach out to learn more and see how I can help.