Jason & Guan-Ju’s Deep Cut Gardens Engagement Photos: When a Couple Actually Listens
January 1, 2026

I’m Alex Kaplan, a wedding photographer and videographer based in New Milford, NJ, serving Northern NJ, NYC, and the Hudson Valley. For over 30 years, I’ve helped couples enjoy their day without feeling rushed — while I quietly capture the real moments, natural portraits, and genuine emotions you’ll still love decades from now.
January 1, 2026

Deep Cut Gardens engagement photos work best when couples trust the process, and Jason and Guan-Ju? They got it immediately. Within the first five minutes at this Middletown, NJ location, I knew we were creating something different. Not because they’re models (they’re not), but because they understood what most couples miss: the best engagement photos happen when you forget you’re being photographed.
Here’s what actually went down at one of New Jersey’s most underrated botanical gardens.
Most photographers will tell you Deep Cut Gardens is beautiful—which, sure, it’s 54 acres of professionally maintained gardens in Monmouth County. But that’s not why I bring couples here.

I bring couples to Deep Cut Gardens because of what happens near those old estate stone walls in the first ten minutes. Watch what Jason does here—he’s not “posing.” He pulled Guan-Ju close because that’s what he does. My job was staying out of their way and catching it. The lichen-covered stone behind them? That’s 1930s construction from when this was the Mathews estate. That texture reads in photos like nothing else in Northern New Jersey.

This moment right here—this is why I don’t do “engagement photo packages” with shot lists. Guan-Ju’s laugh is real. Jason said something only she would think is funny (probably an inside joke about their dog, based on the conversation we’d been having). If I’d interrupted them to “get the shot I need,” we’d have missed this.

Here’s the insider detail about Deep Cut Gardens engagement photos that you won’t read on other photography blogs: the light changes dramatically depending on which garden “room” you’re in. The stone terrace where we shot this? Late afternoon sun bounces off that east-facing wall and creates this warm wraparound light that softens everything. It’s not golden hour magic—it’s architecture working in your favor.
Jason and Guan-Ju weren’t thinking about any of this. They were just walking, talking, being themselves. That’s the deal I make with every couple: you handle being in love, I’ll handle the light.

We moved into the perennial garden, which in late June hits peak chaos—purple salvia, yellow coreopsis, orange zinnias all competing for attention. Most photographers panic when there’s this much color. I love it. It forces you to simplify your composition. Jason and Guan-Ju become the anchor point, everything else becomes context.

This wasn’t planned. We were walking between locations, I was scouting the next background, and Jason just picked her up. Mid-conversation. No warning. This is what I mean when I tell couples “trust what happens naturally.” I had maybe two seconds to react—adjust exposure for the backlight, reframe, shoot.
If we’d tried to recreate this as a “pose,” it wouldn’t have worked. Guan-Ju’s genuine surprise, Jason’s grin, the way her foot kicked up—you can’t manufacture that. You can only be ready when it happens.

And then this happened about thirty seconds later. They were already laughing from the lift, already loose, already in that headspace where self-consciousness disappears. This is the compounding effect of documentary engagement photography—once you break through that initial awkwardness, momentum builds.

These stone steps are original to the estate. They’re uneven, moss-covered in the crevices, weathered in a way that modern construction can’t replicate. When couples sit here, they instinctively get closer because the steps force proximity. The architecture does my job for me.
This is strategic location choice. Deep Cut Gardens isn’t just “pretty”—it’s designed with intentional sightlines, elevation changes, and intimate spaces that naturally create better compositions and authentic moments.

I shoot through foreground elements constantly at Deep Cut Gardens because the layered planting design gives you these natural frames. See those purple flowers creating depth in the foreground? That’s intentional garden design from the horticulture team. I’m just using what they’ve already created.
Most couples don’t notice when I’m doing this. They’re busy being present with each other, which is exactly where their attention should be.

I switched to black and white here for a specific reason. We’d been shooting in this explosion of summer color for forty minutes—vibrant, energetic, maximalist. I wanted contrast. I wanted to strip everything down to just them, just this moment, just the connection between their faces.
Black and white isn’t a “style choice” for me—it’s a tool for refocusing attention. When color becomes a distraction from emotion, I remove it.

Back to the steps, different angle, different energy. Notice how relaxed they are now compared to the beginning of the session? That’s not accidental. That’s an hour into shooting, after we’ve established trust, after they’ve stopped worrying about what to do with their hands.
This is why I don’t do 30-minute “mini sessions.” Real comfort takes time. Real moments come after you’ve moved past performance.

The gardens sit on land that was the Mathews family estate before Monmouth County took it over in 1977. When you’re shooting here, you’re working with landscape architecture that was designed for private contemplation, not public parks. That’s why the scale feels different—more intimate, more intentional.
Those garden “rooms” everyone mentions? They were originally designed so different parts of the estate had different purposes. We used that same logic in this engagement session—moving through spaces that created different moods, different light, different energy.

The pink canna lilies were at peak bloom during Jason and Guan-Ju’s session. Cannas are tricky—they can read as too tropical, too bold, too “resort brochure” if you’re not careful. But when you balance them with the natural stone and keep the couple as the anchor, they add this unexpected warmth.
The horticulture team at Deep Cut Gardens changes the annual displays every season, which means if you’re shooting here multiple times a year, you’re never working with the same palette twice.

By this point in the session, I’m barely directing. We’re walking, talking about their wedding plans, and I’m watching for moments. This path with the Japanese-style bridge in the background—we were just heading back toward the parking area. But the soft defocused green behind them, the natural leading line of the path, the way they naturally gravitated toward each other while walking? That’s what I’m always watching for.
Documentary engagement photography doesn’t mean “no direction.” It means directing the situation, not the moment. I get people into good light, in interesting locations, and then I let them be themselves.
This was literally the last frame before we wrapped. They were already mentally shifting into “what’s for dinner” mode, guard completely down, just walking and laughing about something. The red celosia behind them was almost oversaturated in the late afternoon light—exactly the kind of bold color that makes people look alive in photos.
The way Jason looks at Guan-Ju in this frame? That’s not performance. That’s 90 minutes into a session where they’ve forgotten to perform.
Jason and Guan-Ju’s Deep Cut Gardens engagement photos worked because they showed up ready to trust the process. They didn’t bring a Pinterest board of “must-have shots.” They didn’t ask to recreate someone else’s engagement photos. They showed up as themselves, in a location that did half the compositional work for us, and let the session unfold.
That’s the formula, if there is one: right location + real people + enough time to get past self-consciousness = photos that actually feel like you.
If you’re planning engagement photos in Northern New Jersey and want photography that documents who you actually are together—not who you think you should be—that’s the work I do.
Is Deep Cut Gardens good for engagement photos year-round?
Yes, but understand what you’re getting seasonally. Spring brings flowering trees and bulbs. Summer is peak perennial chaos with the most color variety. Fall gives you changing leaves and mums. Winter is stark, architectural, intimate—beautiful if that’s your aesthetic. I’ve shot here in every season. They all work, just differently.
When should we schedule our Deep Cut Gardens engagement session?
Weekday late afternoons, April through October, are optimal. You avoid weekend crowds, the gardens are freshly maintained, and late afternoon light at Deep Cut Gardens is exceptional—especially near the stone walls and in the perennial garden. Weekends work, but you’ll share the space with families, wedding parties doing photos, and garden enthusiasts. Plan accordingly.
Do we need special permission for engagement photos at Deep Cut Gardens?
For casual engagement sessions with one photographer, no permit is required. This is a Monmouth County park, open to the public. If you’re planning something elaborate with assistants, lighting equipment, or anything that disrupts normal park use, contact Monmouth County Parks. But standard engagement sessions? You’re fine. Just be respectful of other visitors and the gardens themselves.
Ready for engagement photos that feel like you?
Alex Kaplan
📞 917-992-9097
📧 alex@alexkaplanweddings.com
🌐 https://alexkaplanweddings.com
About Me — But Really, It’s About You
The most meaningful wedding photos never come from stiff poses.
They come from the quiet laugh you didn’t think anyone saw.
The look on your partner’s face during the vows.
The warmth of your people all around you.
I’ve been doing this for over 30 years — and I still get nervous before every wedding.
Not because I’m uncertain, but because I know how much it matters.
After photographing hundreds of weddings over the past few decades, I’ve learned something simple:
The best photos happen when you feel fully present.
That’s why I work calmly, behind the scenes — guiding when it helps, then stepping back when the real moments unfold. I’m always anticipating what’s next, so you never have to think about a thing.
My goal is simple: to help you relax, feel confident, and walk away with photos that feel like you — not a filtered version of someone else’s idea of perfect.
Most of my couples say the same thing:
“We’re so glad we didn’t have to worry.”
Alex made everything feel effortless — and the photos are incredible.”
Free parts of our entire wedding.
“One of the most stress"
Alex captured a version of me that actually felt confident and real.”
I look in photos
“I’ve always hated how"
it’s all there. Looking through our gallery feels like reliving the day.”
moment. Every laugh, every tear
“Alex didn’t miss a single
alex@alexkaplanweddings.com
I’d love to hear what you’re planning. I’ll personally reach out to learn more and see how I can help.
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